{"id":8,"date":"2021-05-11T19:23:26","date_gmt":"2021-05-11T22:23:26","guid":{"rendered":"https:\/\/franciscomallmann.com\/?page_id=8"},"modified":"2026-01-17T20:35:31","modified_gmt":"2026-01-17T23:35:31","slug":"cv","status":"publish","type":"page","link":"https:\/\/franciscomallmann.com\/","title":{"rendered":"sobre<br><i>about<\/i>"},"content":{"rendered":"\n<div class=\"wp-block-group grupo-cvs is-layout-flow wp-block-group-is-layout-flow\">\n<p class=\"has-text-align-left cv1 wp-block-paragraph\"><br>Francisco Mallmann \u00e9 artista, professor e pesquisador interdisciplinar. Atua na intersec\u00e7\u00e3o entre escrita, performance, artes visuais e teoria. Estudou Jornalismo (PUC-PR) e Artes C\u00eanicas (FAP), \u00e9 Mestre em Filosofia (PUC-PR) e Doutor em Artes da Cena (UFRJ), sob orienta\u00e7\u00e3o de Eleonora Fabi\u00e3o, tendo realizado um interc\u00e2mbio acad\u00eamico internacional de doutorado no M\u00e9xico (UAM), sob orienta\u00e7\u00e3o de Ileana Di\u00e9guez Caballero. Publicou \u201chaver\u00e1 festa com o que restar\u201d (2018), \u201cl\u00edngua pele \u00e1spera\u201d (2019), \u201cAM\u00c9RICA\u201d (2020) e \u201ctudo o que leva consigo um nome\u201d (2021). Em 2019, venceu o Pr\u00eamio da Biblioteca Nacional na categoria Poesia e foi finalista dos pr\u00eamios Rio de Literatura e Mix Liter\u00e1rio. \u00c9 artista na Selv\u00e1tica A\u00e7\u00f5es Art\u00edsticas e idealizador da Membrana, coletivo de escritores. Ao longo de seu percurso na p\u00f3s-gradua\u00e7\u00e3o, Francisco Mallmann aproximou-se de tem\u00e1ticas interdisciplinares que conectam quest\u00f5es de filosofia, est\u00e9tica, dramaturgia e performance, al\u00e9m de reflex\u00f5es sobre g\u00eanero e ra\u00e7a. Suas obras integram o acervo do Museu de Arte Contempor\u00e2nea do Paran\u00e1 (MAC-PR). Atualmente, \u00e9 professor na gradua\u00e7\u00e3o em Artes Visuais da Pontif\u00edcia Universidade Cat\u00f3lica do Paran\u00e1 (PUC-PR).<\/p>\n\n\n\n<div style=\"height:15px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<hr class=\"wp-block-separator has-css-opacity aligncenter is-style-wide\"\/>\n\n\n\n<div style=\"height:15px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p class=\"has-text-align-left cv2 wp-block-paragraph\">Francisco Mallmann is an artist, professor, and interdisciplinary researcher. His work operates at the intersection of writing, performance, visual arts, and theory. He studied Journalism (PUC-PR) and Theatre (FAP), holds a Master\u2019s degree in Philosophy (PUC-PR), and a PhD in Performing Arts (UFRJ), under the supervision of Eleonora Fabi\u00e3o. He also completed an international doctoral academic exchange in Mexico (UAM) under the supervision of Ileana Di\u00e9guez Caballero. He has published \u201cthere will be a party with what remains\u201d (2018), \u201crough skin tongue\u201d (2019), \u201cAMERICA\u201d (2020), and \u201ceverything that carries a name with it\u201d (2021). In 2019, he won the National Library Award in the Poetry category and was a finalist for the Rio de Literatura and Mix Liter\u00e1rio awards. He is an artist at Selv\u00e1tica A\u00e7\u00f5es Art\u00edsticas and the founder of Membrana, a writers\u2019 collective. Throughout his postgraduate studies, Francisco Mallmann engaged with interdisciplinary themes connecting philosophy, aesthetics, dramaturgy, and performance, as well as reflections on gender and race. His works are part of the collection of the Museum of Contemporary Art of Paran\u00e1 (MAC-PR). He is currently a professor in the undergraduate Visual Arts program at the Pontifical Catholic University of Paran\u00e1 (PUC-PR).<\/p>\n\n\n\n<div style=\"height:15px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<hr class=\"wp-block-separator has-css-opacity is-style-wide\"\/>\n\n\n\n<div style=\"height:15px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p class=\"has-text-align-left cv3 wp-block-paragraph\">Francisco Mallmann es artista, profesor e investigador interdisciplinario. Su trabajo se desarrolla en la intersecci\u00f3n entre escritura, performance, artes visuales y teor\u00eda. Estudi\u00f3 Periodismo (PUC-PR) y Artes Esc\u00e9nicas (FAP), es Mag\u00edster en Filosof\u00eda (PUC-PR) y Doctor en Artes de la Escena (UFRJ), bajo la orientaci\u00f3n de Eleonora Fabi\u00e3o, y realiz\u00f3 un intercambio acad\u00e9mico internacional de doctorado en M\u00e9xico (UAM) bajo la orientaci\u00f3n de Ileana Di\u00e9guez Caballero. Public\u00f3 \u201chabr\u00e1 fiesta con lo que quede\u201d (2018), \u201clengua piel \u00e1spera\u201d (2019), \u201cAM\u00c9RICA\u201d (2020) y \u201ctodo lo que lleva consigo un nombre\u201d (2021). En 2019, gan\u00f3 el Premio de la Biblioteca Nacional en la categor\u00eda Poes\u00eda y fue finalista de los premios Rio de Literatura y Mix Liter\u00e1rio. Es artista en Selv\u00e1tica A\u00e7\u00f5es Art\u00edsticas y creador de Membrana, un colectivo de escritores. A lo largo de su trayectoria de posgrado, Francisco Mallmann se aproxim\u00f3 a tem\u00e1ticas interdisciplinarias que articulan cuestiones de filosof\u00eda, est\u00e9tica, dramaturgia y performance, adem\u00e1s de reflexiones sobre g\u00e9nero y raza. Sus obras forman parte del acervo del Museo de Arte Contempor\u00e1neo de Paran\u00e1 (MAC-PR). Actualmente, es profesor en la carrera de Artes Visuales de la Pontificia Universidad Cat\u00f3lica de Paran\u00e1 (PUC-PR).<\/p>\n<\/div>\n\n\n\n<p class=\"wp-block-paragraph\"><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Francisco Mallmann \u00e9 artista, professor e pesquisador interdisciplinar. Atua na intersec\u00e7\u00e3o entre escrita, performance, artes visuais e teoria. Estudou Jornalismo (PUC-PR) e Artes C\u00eanicas (FAP), \u00e9 Mestre em Filosofia (PUC-PR) e Doutor em Artes da Cena (UFRJ), sob orienta\u00e7\u00e3o de Eleonora Fabi\u00e3o, tendo realizado um interc\u00e2mbio acad\u00eamico internacional de doutorado no M\u00e9xico (UAM), sob orienta\u00e7\u00e3o &hellip; <\/p>\n<p class=\"link-more\"><a href=\"https:\/\/franciscomallmann.com\/\" class=\"more-link\">Leia mais<span class=\"screen-reader-text\"> &#8220;sobre<br \/><i>about<\/i>&#8220;<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-8","page","type-page","status-publish","hentry"],"featured_media_urls":[],"_links":{"self":[{"href":"https:\/\/franciscomallmann.com\/index.php?rest_route=\/wp\/v2\/pages\/8","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/franciscomallmann.com\/index.php?rest_route=\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/franciscomallmann.com\/index.php?rest_route=\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/franciscomallmann.com\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/franciscomallmann.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=8"}],"version-history":[{"count":62,"href":"https:\/\/franciscomallmann.com\/index.php?rest_route=\/wp\/v2\/pages\/8\/revisions"}],"predecessor-version":[{"id":337,"href":"https:\/\/franciscomallmann.com\/index.php?rest_route=\/wp\/v2\/pages\/8\/revisions\/337"}],"wp:attachment":[{"href":"https:\/\/franciscomallmann.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=8"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}